Inspiration Kantha by Anna Hergert

Inspiration Kantha cover

If you love all things textile, and particularly slow stitch mark making like embroidery, be sure to check out Anna Hergert’s new book Inspiration Kantha Creative Stitchery and Quilting with Asia’s Technique.

In her book, Anna, an accomplished textile artist and teacher, opens up the world of kantha by sharing the mystery of this ancient technique that is at once sublimely complex and simple.

Step-by-step instructions accompanied by professional photographs will guide you through several projects to get you going on your personal discovery of this beautiful art.

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A Few Little Pieces

I’ve been working on  some small pieces over the past few weeks. Here’s a look.

The piece on the left entitled Testing the Water #1  is the 6″ x 8″ piece I’ve contributed to the SAQA Spotlight Auction that will be held during the SAQA Convention in Lincoln, Nebraska at the end of April 2017. Go here for more about the Studio Art Quilt Associates (SAQA).

The piece on the right entitled Three Fridays Intersect is a 7″ x 10″ piece that will be part of the SAQA-Atlantic 2017 Trunk Show to travel throughout the Atlantic region in the coming months.

Last but not least is something in a more traditional vein. Below is the 10″ x 10″ block  I have contributed to the group quilt being made by the Celtic Quilt Guild in celebration of Canada 150 – the sesquicentennial. (How could I resist a chance to use that word!) The quilt will be made up of original designed blocks featuring each province and territory. My block represents Manitoba. I have attempted to capture the wheat fields, the water, the hills and the unique Red River cart that played a significant role in land transportation in the area that eventually became Manitoba. The background of the block is hand appliqued. The cart is machine stitched and the cattails are embroidered and embellished with wool needle felting for the fuzzy tops. A fun project!

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50 Birthday Wishes

I’m often amazed at the creativity and thoughtfulness of my friends. Late last Fall my friend D. shared a birthday surprise she was planning for her friend A. who is celebrating 50 years today. My friend D. arranged for 50 of her own friends and family to send a birthday card to A. from various locations near and far.

Although I don’t know A., I happily and eagerly agreed to be among the co-conspirators and decided I would make a textile birthday card. I had a vague notion of what I wanted to create but to my dismay, as the date by which I needed to send the card neared, my idea hadn’t morphed into anything concrete. I was about to just try to run with my initial unformed idea when the appropriateness of “tree of life” imagery struck me. As soon as it hit I did a quick sketch of what I was hoping to recreate with fabric and thread.

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Fifty circles of various size supported and surrounding that tree representing 50 years…some of great significance and others less so. The piece came together quickly with remnants from another project and a  blue cotton dyed this summer.

Then it sat, waiting. I pondered how to quilt it. Generally, I prefer hand-stitching because of the control of where to place stitches but with time ticking on, I decided on a quicker approach of highly random free-motion machine stitching. It also seemed a better choice to reflect the often random and unexpected events that add depth, detail and color to our lives.

I finished the card in a flurry and sent it off in the rush and hubbub of pre-Christmas preparations and hadn’t thought much of it again until today… the big “5” “0” for A. 

So, to A. …Happy Birthday and here’s to many more years of growth and color. 

And to D. …may everyone have a friend like you along the way.

For D…and I’m Late!

A few weekends back my very good friend D. and I attended a “trunk show” by the talented Quebec quilt artist Heather Dubreuil. Not only did we get to view Heather’s works but she also openly shared a number of her techniques.

Below are a few pictures from the day (though not the best because I took them with my cell phone). Most of the photos are from her “Cityscapes” series.

Click on Heather’s name above for more about her and (better) images of her work.

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Fibrefest 2013

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Every year the Mississippi Valley Textile Museum in Almonte celebrates our town’s heritage as a textile community. Fibrefest is a fest of inspiration, beauty, color, texture and sharing.

Being a busy weekend I was only able to spend a few hours there one morning but it was time well spent – figuratively and literally!

Upon entering the hall full of vendors and artists displaying their works and wares I came upon Sayward Johnson, an artist/weaver who works with the finest copper wire. It was fascinating to say the least. Particularly because I’ve just bought a loom…a Leclerc Nilus floor loom. I know little about weaving (other than that I love the look and feel of hand-woven pieces) but couldn’t resist when a friend who is moving to Australian was looking for a good home for her loom. We agreed on a price that to me is the deal of the century and happily the good home turned out to be mine. Upon arrival to pick it up I learned this loom is not a small machine though with a lot of maneuvering, it fits (within millimeters) into the space allowed for by the sliding door of our van. It is now up in our loft sitting until I learn to weave.

But back to Fiberfest and weaving of copper wire. Quite incredible and beautiful. The artist even had a few knitted copper pieces on display.

With my time limited, I forced myself on. Next I had a wonderful discussion of hand stitchery and received an invitation to join a stitching group. A vibrant women who obviously loved what she was doing explained Kumihimo, the art of Japanese braiding, to me.

Further along I watched a woman with a hand spinner working with colorful wool rovings.

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Picture of hand spinner courtesy of knitty.com

I purchased two small bundles of her spun rovings in blues and greens.

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I’m thinking they will make wonderful mermaid hair for a project still taking shape in my mind. We had a short conversation about dying the wool before I moved on.

I’ve been gathering information on dyeing using natural materials and having my own fibrefest at home recently. I’ve dyed some unbleached muslin using goldenrod (Solidago Canadensis) and red cabbage. The results are not spectacular but I’m happy with my first attempt. 

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The fabric actually looks better than in the photo here. I was intrigued with the periwinkle blue color produced from the red cabbage dye. The goldenrod dye was quite intense and successfully colored my hands for days. It remains to be seen how lightfast the colors will be.  I’ll cut samples to keep in the dark and compare over time. Currently, I have a piece of cotton soaking in carrot top dye which will supposedly provide a nice green. I’m not convinced though. It looks somewhat sickly and greenish-yellow at this point.

But I digress.

Meanwhile back at Fibefest I had moved on and purchased a few needles and threads and then came upon Heather Sherratt‘s weaving display. I couldn’t resist and am now the proud owner of a beautiful green and teal woven Angora and wool wrap. It will be the perfect thing for my up-coming trip to Italy for a textile art course in Sulmona followed by some time in Tuscany. Could I have had a better excuse?

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About one-tenth of the way into the displays I had already used up half of my meager time allotted for Fibrefest. I put a rush on…until I hit the bead and silk embroidery thread booth which brought me to a dramatic halt .

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Finally on to the take a look at some quilts by local guild members. I was making good headway. But alas, I encountered a vendor with vivid solid cotton prints. What could I do but stop and peruse.

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Then I had a strategy, eyes forward and out the door. It worked until I reached the end of the hall and found myself knuckles deep in wool rovings, weighing out a few handfuls of this color and a few of that. A brief stop to learn more about the Out of the Box fibre artists group with another invitation to drop in or take a workshop.

Almost out the door and there it was…calling to me. A simple yet lovely thread painting of poppies by fibre artist Judi Miller. The odd but wonderful thing was that one of my last thoughts as I left the house that morning was  how I was wanting a grouping of  pictures and paintings of poppies. It was meant to be.

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A fest of fibre it was. But even better I enjoyed a fest of sharing the love of handwork. Can’t wait til next year!

 

“Me Before and After”

I’m rediscovering my love of needle and thread, textiles, texture, quilting and color, color, color and more color. However, first things first. Before jumping into new projects I’m completing a few left over from the past.

Here’s a peek at one (a self portrait) I’ve had on the go for sometime. I’ve finally decided how to finish it so I’m looking forward to a creative weekend.

"Me Before and After:  Partial Left" - Original art designed and created by Kristi Farrier

“Me Before and After: Partial Left” – Original art designed and created by Kristi Farrier

"Me Before and After:  Throat" - Original art designed and created by Kristi Farrier

“Me Before and After: Throat” – Original art designed and created by Kristi Farrier